spring

Yi Sang 1939.02

Ici, on ne peut plus savoir de quel pays il s’agit. Il n’existe qu’une gravure, qui communique avec la genèse. Ici, c’est la ruine. Il y a un nez comme une pyramide. Où va et vient sans cesse une chose

spring

Yi Sang 1939.02

Ici, on ne peut plus savoir de quel pays il s’agit. Il n’existe qu’une gravure, qui communique avec la genèse. Ici, c’est la ruine. Il y a un nez comme une pyramide. Où va et vient sans cesse une chose

SDIM5982

the Charm of language [1]

There is an attraction specific in each language. If I were an aesthetically totalitarian buffoon of the world languages, I would gather each of these merits and beauties to create one whole language newly built from the old ones. In English,

SDIM5982

the Charm of language [1]

There is an attraction specific in each language. If I were an aesthetically totalitarian buffoon of the world languages, I would gather each of these merits and beauties to create one whole language newly built from the old ones. In English,

res_tul_2014_04_05

2014_05

A year ago and what is a year to me then and to me now?

res_tul_2014_04_05

2014_05

A year ago and what is a year to me then and to me now?

_ABC2920

2015.04.20

i had a dream, said he I dreamt too, my nightmares are full of his personages one part of my shoulder is his ten years would we call this a sharing?  

_ABC2920

2015.04.20

i had a dream, said he I dreamt too, my nightmares are full of his personages one part of my shoulder is his ten years would we call this a sharing?  

bloir

the color Blue

Blue used to be my favorite color. Since I have started to paint, it has shown itself as the most difficult color to work with. Blue is unmagical. It is just blue; there are no nuances, no extensions. Rarely do figures

bloir

the color Blue

Blue used to be my favorite color. Since I have started to paint, it has shown itself as the most difficult color to work with. Blue is unmagical. It is just blue; there are no nuances, no extensions. Rarely do figures